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Featured Artist
Mario GonzalesMARIO (MALLO) GONZÁLEZ RODRÍGUEZ IS A YOUNG CUBAN VISUAL ARTIST WHOSE PRACTICE EXPLORES THE INTERSECTIONS OF ABSTRACTION, IDENTITY, AND CULTURAL MEMORY. HE HOLDS A DEGREE IN ART EDUCATION (HAVANA, 2010) AND TRAINED AT THE SCHOOL OF ARTS INSTRUCTORS OF SAN ANTONIO DE LOS BAÑOS (2005).
HIS SOLO EXHIBITIONS INCLUDE SURCOS AT GALERÍA 23 Y 12 IN VEDADO, HAVANA (2023), DRAPPUS AT THE PROVINCIAL CENTER FOR ART AND DESIGN, HAVANA (2021), AND DIVERGENCES AT CASA DE LAS AMÉRICAS JOSÉ MARTÍ IN CARACAS, VENEZUELA. HE HAS ALSO PARTICIPATED IN NUMEROUS GROUP EXHIBITIONS AND ART EVENTS, BOTH NATIONALLY AND INTERNATIONALLY. RECENT HIGHLIGHTS INCLUDE THE CONSTRUCTION OF SILENCE AT THE VISUAL ARTS DEVELOPMENT CENTER (2023), RICE WITH MANGO PLUS HABANERO AT THE COVARRUBIAS GALLERY, PART OF THE ZONAMACO CONTEMPORARY ART FAIR IN MEXICO CITY (2023), AND THE HUMANITARIAN AUCTION OF CONTEMPORARY CUBAN ART (2022).
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Carlos Llanes
RUM FILTER SERIESThe series *THRU* by artist Carlos Llanes showcases the outcome of an intervention and subsequent reconstruction of an object. Stripped of its essential utility, this object loses its original meaning and transforms into a piece for intellectual contemplation.The objects in question are rum filters, which have already reached their maximum capacity. The traces left on their surfaces allow us to imagine other worlds and conceive them in a micro space that views itself not as an end but as a means to something greater. The liquid is filtered before being bottled in the production processes; this filtration removes undesirable particles that result from the aging process while enhancing the purity of the rum’s color. The filters subsequently contain these impurities, and Llanes interprets this as a reflection of the idea that what is toxic and harmful is also an inherent part of life.This multifaceted object serves as a canvas where Llanes presents the viewer with suggestive imagery that ranges from chaotic to serene, all following an abstract language characteristic of much of his symbolic work.This demonstrates that life is not merely envisioned as a perfect entity; rather, it encompasses complex and challenging aspects that are often difficult to reveal.When removed from their original contexts and placed in settings where aesthetic appreciation occurs, the rum filters reveal their inherent artistic qualities, which are often overshadowed by their functional purpose. This act of separation and re-contextualization draws attention to the filters themselves, compelling the artist to seek meaning and beauty where others see residue and a discarded object. Just as the filters have been forced to abandon their original identities, the artist must also navigate this transformation. This intentional recontextualization enhances the ambiguity of both the object and its message, inviting deeper interpretation and reflection from the viewer. -
New Arrivals
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Marta Estrems
featured artist Argentian artist Marta Estrems, one of the leading Latin American Abstractionists, imbues her ethereal and often enigmatic canvasses with a powerful repertoire of emotional depth, kinetic energy and visual imagery, evoking complex connotations within deeper layers of the viewers' intuitive perception.
Her work is a form of meditation, an invitation to quiet the noise of the external world and to slow down to access the deeper layers of the self and human interconnectedness.
Marta Estrems' paintings seek to visualize the human capacity to connect with nature and each other, focussing on the inexpressible, the intangible, and the immaterial, with her abstract canvasses forming a bridge between our inner and outer world experiences.
Marta Estrems (born in 1949 in Rosario, Santa Fe, Argentina) received most of her professional training in Buenos Aires and initially pursued studies at the Manuel Belgrano National School of Fine Arts, where she obtained a degree in teaching visual arts. She later studied in the Master of fine arts program, majoring in drawing, painting, and sculpture at the Prilidiano Pueryrredon National School of Fine Arts. She moved to the United States in 1987 and lives and works in Miami.
Throughout her career, Estrems has participated in more than twenty exhibitions in Argentina, Italy, Spain, and the United States. Her work has been shown in cultural institutions such as PIAG Museum (Coral Gables, FL), Armory Art Center (West Palm Beach, FL), the Alvin Sherman Library (Nova Southeastern University, Fort Lauderdale), and the Latino Art Museum (Pomona, CA) among others. Her most recent solo exhibition includes “Containment: The Tao of Aesthetics” (Arch Gallery, Miami, 2012) and “Painting and Drawings by Marta Estrems” (Miami Beach Botanical Garden, 2008). -
Evey Gallery & Art Foundation
Palm BeachEVEY GALLERY
EVEY Gallery is a contemporary art space with locations in New York and Palm Beach, dedicated to presenting bold, thought-provoking exhibitions by both established and mid-career artists. In addition to its year-round program, the gallery participates in leading art fairs and collaborates with museums, curators, and cultural institutions to expand the visibility of its artists on an international scale. Guided by a belief in the transformative power of art, EVEY Gallery champions work that shapes cultural discourse and leaves a lasting impact.EVEY ART FOUNDATION
The EVEY Art Foundation, established as the nonprofit arm of the gallery, extends this mission beyond the commercial sphere into education, public engagement, and cultural accessibility. Through workshops, lectures, artist residencies, and grant programs, the foundation supports artists at all stages of their careers while making art accessible to diverse communities. Its initiatives include offering studio space, producing community-driven art projects, and providing resources for artists to explore new ideas. The foundation also fosters research, publications, and collaborative exhibitions that connect art with communities facing socioeconomic challenges.A Shared Mission
Together, EVEY Gallery and the EVEY Art Foundation create a dynamic ecosystem where art can flourish both as a cultural force and a public good. From South Florida to New York and cities across the country, they remain committed to making art accessible, impactful, and a vibrant part of public life.
