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Adriano Nicot
Adriano Nicot
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Marta Estrems
Marta Estrems
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Carlos Llanes
Carlos Llanes
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Marta Estrems
Argentian artist Marta Estrems is one of the leading Latin American abstractionists. She imbues her ethereal and often enigmatic canvases with a powerful repertoire of emotional depth, kinetic energy, and visual imagery, evoking complex connotations within the deeper layers of the viewer's intuitive perception.
Her work is a form of meditation, an invitation to quiet the noise of the external world and to slow down to access the deeper layers of the self and human interconnectedness.
Marta Estrems' paintings seek to visualize the human capacity to connect with nature and each other, focussing on the inexpressible, the intangible, and the immaterial, with her abstract canvasses forming a bridge between our inner and outer world experiences.
Marta Estrems (b. 1949, Rosario, Argentina) is a Miami-based contemporary artist whose abstract paintings explore human connectivity, nature, and the subconscious. She earned a visual arts education degree from the Manuel Belgrano National School of Fine Arts and advanced her training in drawing, painting, and sculpture at the Prilidiano Pueyrredón National School of Fine Arts in Buenos Aires. Since relocating to the United States in 1987, Estrems has exhibited widely in over twenty solo and group exhibitions across Argentina, Italy, Spain, and the U.S. Her work has been featured at prominent institutions, including the PIAG Museum (Coral Gables, FL), the Armory Art Center (West Palm Beach, FL), Nova Southeastern University’s Alvin Sherman Library (Fort Lauderdale, FL), and the Latino Art Museum (Pomona, CA).Marta Estrems, Everglades Series 1, 2016 -
C. Louis Blank
CHARLES LOUIS BLANK (B. HAMMOND, LOUISIANA, 1948) HAS BEEN WORKING AS A CONTEMPORARY ARTIST FOR OVER 50 YEARS. HE RECEIVED HIS TRAINING AT LOUISIANA STATE UNIVERSITY. EARLY IN HIS CAREER, HIS DREAM-LIKE PAINTINGS OF DISQUIETING FIGURES, WHICH INCORPORATED MYSTICISM, ICONIC DISTORTION, AND PICTORIAL DRAMA, LABELED HIM AS ONE OF THE FEW "VISIONARY IMAGISTS" OF THE TIME.
HE ACHIEVED FAME IN THE 1980S. IN 1994, HE WAS FORCED TO STEP BACK FROM THE ART WORLD DUE TO HIS DETERIORATING MENTAL HEALTH BUT HAS CONTINUED TO EVOLVE WITHIN HIS PAINTINGS EVER SINCE.
AROUND 2010, FOLLOWING HIS MOTHER'S PASSING, HE BECAME ENTIRELY HOMEBOUND. HIS WORK TRANSITIONED BETWEEN THE OX FIELD BEHIND HIS HOUSE AND PURE ABSTRACTION, INCORPORATING HIS EXPRESSIONIST COLOR SCHEME AND STYLE OF THICKLY LAYERED PAINT. HE DRAWS FROM THE VOCABULARY OF LOUISIANA’S CULTURAL HERITAGE AND HIS DYSTOPIAN, SURREALISTIC LANDSCAPES ACT AS A FOIL TO THE BUCOLIC NOSTALGIA OF HIS OX FIELD SERIES, A METAPHOR OF A COUNTRY ONLY EXISTING AS A MEMORY AND THE SENSE OF IMPENDING ERADICATION ENCAPSULATED IN THE SMALL STRIP OF LAND AS A LAST STRONGHOLD.
BLANK'S WORKS ARE PART OF THE PERMANENT COLLECTION IN THE NEW ORLEANS MUSEUM OF ART AND THE HUNTSVILLE MUSEUM OF ART
C. Louis Blank, Untitled Abstraction, 2022 -
Carlos Llanes - Works in Oil
Carlos Llanes is one of the most distinctive Cuban painters of his generation, born in Melena del Sur, Cuba, and trained as an architect at the University of Havana. Llanes has exhibited his work internationally for decades, with paintings held in major museum collections worldwide.His artistic life took a pivotal turn after immigrating to the United States for medical treatment of a brain tumor, which deepened his engagement with themes of family, migration, cultural dislocation, and the emotional imprint of landscape.Whether working on canvas, rum filters, or paper, Llanes creates visual vocabularies that are at once intimate and universal.One of the most striking aspects of Llanes’s practice is his versatility across media. His acrylic paintings and works on paper often carry a spontaneous, faux-naive, and whimsical quality.In contrast, his oil paintings inhabit a very different emotional and material territory. Here, Llanes becomes a builder of surfaces: layering, scraping, erasing, and re-layering over long periods of time until the canvas holds the gravitas of accumulated experience.In oil, his process becomes archaeological, each stratum revealing and concealing earlier decisions, much like the slow unveiling of true purpose through hindsight.These canvases carry the sense of time made visible: pigments compressed into dense, atmospheric fields; marks resurfacing like half-forgotten traces; colors muted to the tonal registers of dusk, depth, and introspection.Through the slow accumulation of oil, erasure, and re-emergence, Llanes’s mastery of mood through material creates surfaces that feel lived, weathered, and deeply human.Carlos Llanes, paz en alta mar / peace on the high seas, 2024 -
Evey Gallery & Art Foundation
Palm BeachEVEY ART FOUNDATION
The EVEY Art Foundation extends its mission to education, public engagement, and accessibility. Through workshops, lectures, artist residencies, and grant programs, the foundation supports artists at all stages of their careers and makes art accessible to diverse communities. The foundation also fosters research, publications, and collaborative exhibitions that connect art with communities facing socioeconomic challenges.EVEY GALLERY
EVEY Gallery is a contemporary art gallery dedicated to presenting thought-provoking exhibitions by both established and mid-career artists. Guided by a belief in the transformative power of art, EVEY Gallery champions work that shapes cultural discourse and leaves a lasting impact.



